|LUKA BLOOM - MUSIC|
|LUKA BLOOM - HEAD AND HEART|
01. Head And Heart
02. Banks Of The Lee
03. Every Grain Of Sand
04. The First Time Ever I Saw Your Face
05. Give You Wings
06. Gentle On My Mind
07. My Wild Irish Rose
08. Lonesome Robin
09. And I Love You So
11. Danny Boy
12. The Joy Of Living
© 14-02-2014 Luka Bloom - Big Sky Records BSCD-0008
17-03-2014 V2 Records (Benelux) | 28-03-2014 Skip Records (Germany)
02-05-2014 The Planet Company (Australia) | 06-05-2014 Compass Records (USA)
Produced by Luka Bloom
Band tracks recorded at Meadow, County Wicklow:
Engineer: Ivan Jackman | Production Assistant: Fiachra Trench
Solo tracks recorded by Brian Masterson at Soundscape Studios, Dublin & Bloom Tunes, Co Clare
All tracks mixed and mastered by Brian Masterson at Soundscape Studios
Luka Bloom - Guitars & Vocals
Phil Ware - Piano
Dave Redmond - Double Bass
Kevin Brady - Drums
Paul Wade - Piano on 'My Wild Irish Rose'
Cover painting by Christian Sambrailo, Fremantle, Western Australia
All photography by Mrs RedHead Photography, Lahinch, Co. Clare - www.mrsredhead-foto.com
Design by Sarah June Fox, Dublin - www.sarahjunefox.com
It feels like we’re a dying breed, those of us who love records. We love to record them. We love to
buy them. This is how I wish to present my work, and how I wish to experience the work of other
singers. Make a record. Buy a record.
Go away for awhile, be quiet, create, and make a record.
As ever, this began with a song.
After hearing Keith Jarret’s stunning instrumental version of ‘My Wild Irish Rose’, I decided to learn the song. A sentimental Irish American song from the 1890s, it was a surprise to me, how much I just loved singing it. Immediately. And of course, this began a process of challenging myself to find songs like this; and maybe even write a few.
I’ve always been a sucker for sad songs. Sad songs make me happy. So, over the next 18 months or so, I learned or wrote about 30 songs. During 2013, I knew this was leading to a record, but there was a problem. Because the songs were simply a joy for me to perform, I could have delivered a record in my sleep. Easy arrangements in a familiar setting … no risk, no danger. Something told me to be patient. Perhaps the songs (and me) needed something fresh, otherwise why bother? Some of these songs have been recorded many times; often brilliantly.
So, don’t bother, unless a fresh feeling for the songs can be found.
Then one day in late November I met my friend Paul G. Smyth outside Tower Records in Dublin. Paul is a great piano player. We got to talking about these songs I had, and the seed was sown for piano involvement in the project. I sent Paul the songs. He voiced his approval and interest, but with typical generosity and humility insisted I needed to work with the Phil Ware trio. Paul suggested I check out the trio’s version of ‘Nobody does it better’ on YouTube.
I did, and was hooked.
Immediately I contacted the lads.
This was new territory for me. I wanted to create a landscape for the songs which would enhance them, but also somehow expose them in a very naked way.
So came about the mad idea to meet in the studio and instantly record with no rehearsal. Just feel the songs; play them, record them, release them. We met at 11.30am one Friday morning in the new year, and over the next two days recorded about ten songs. Six of the songs on the record come from these two days.
Phil Ware, Dave Redmond, Kevin Brady and myself met each other through these songs, playing live together. No headphones, no overdubs, listening to each other and creating space for each other, and most of all, trying to serve the song.
Of the other six songs on the record, five are solo, and the sixth?
We had decided ‘My Wild Irish Rose’ would be best with just piano, vocal and guitar.
Booked the studio for another day. On the day, Phil was ill, and couldn’t come in, so Brian Masterson and myself were in the studio in Wicklow wondering what to do … Then in came Paul Wade, who had the task of tuning the piano for Phil. As he was tuning and playing away, I commented to Brian that the piano tuner was also a pretty tasty player.
‘Hey Paul’, says I, ‘Have you ever been recorded?’
‘Nope’, says Paul.
‘Would you like to be?’ says I.
‘OK’, says Paul.
And so, the piano on ‘My wild Irish Rose’ is played by Paul Wade, who was in the building to tune the piano for Phil Ware. Well done Paul!
In making this record, I took a risk I’d never taken before, going to studio with three men I’d never even met, hoping for a meeting of hearts and minds and maybe a little magic. It was one of the most enjoyable experiences of my working life with songs. Thank you Phil, Dave and Kevin for bringing your gifts to the table and helping me find my way into these songs.
Thank you Fiachra and Carmel, and Ivan for making the recording so enjoyable too.
And most of all, thank you Brian Masterson for bringing all you bring, and being all you are. Brian and I started recording together in 1977. We’re beginning to get the hang of it.
Yep it feels like we are a dying breed; we who love to make and buy records. But it is what it is, and we are who we are.
I love records.
I hope you like this one.
HEAD & HEART
|Luka Bloom Discography|
© Rena Bergholz - Luka Bloom Page